Insights — Phong Nguyen · Ho Chi Minh City ·

How to design alcohol packaging that stands out on shelves

Standing out is not volume. Five tests we run on spirits and wine packs before the artwork locks: distance, neighbours, the row, the set and the light.

Packaging Design Tết Packaging

Standing out on a shelf is not the same as being loud. In the weeks before Tết the shelf is already loud: for premium spirits it is a wall of red and gold, and a pack that adds more red and gold only joins the wall.

What works is a pack that was tested against the shelf before its artwork was locked. These are the five tests we run on spirits and wine briefs in Vietnam — practice from our own projects, not market research.

Test it at three distances

A shelf is read three times: from the aisle, at arm’s length, and in the hand. A pack has to say something different each time, and the three things have to agree.

Ballantine’s for Tết 2024 was built as three moves, in order: the chevron tile at brand scale, the facet that releases it into light, the face that resolves into a dragon — a different job at each distance. Cantina took the first distance literally: one label architecture and a contour pattern, so three wines read as one family from three metres away and still separate once you are standing in front of them.

The check is physical. Print the render at the size it will be seen, step back three metres, and write down the one thing that is still there. A pack that works at only one distance is a poster or a label, not a pack.

Test it against the neighbours, not the brief

A brief describes your brand; a shelf describes everyone else’s. Put a photograph of the real shelf in the real week beside the render and look at what the neighbours share.

At Tết that is red, gold and the zodiac animal. Imperial Blue met a Year-of-the-Tiger shelf full of tigers by drawing the animal as heraldry: a field of gold-outlined tigers with exactly one filled in red, so the eye finds a focal point without the pack shouting. For Chivas Regal the global brief said gemstone, and a gemstone on its own would have produced five unrelated boxes. We fixed one construction across the range and changed only the stone — chosen from the cask rather than for decoration.

Design the row, not the single pack

Shelves hold facings, and a facing is a row. The yellow tail carton for Tết 2026 carries one continuous arc across all four faces, so a row of cartons reads as a single wave instead of the same box repeated. The Imperial Blue carton did the same job from the other side: one mainstream carton, designed so that a row of them reads as one continuous scene. The Glenlivet ran the same idea across years instead of across a shelf: its Tết boxes for 2023, 2024 and 2025 stand side by side as one line of descent.

Make the range a set, and the tiers separable

Two things go wrong when a range stands side by side. Either the tiers look alike, or the variants look like strangers.

Royal Salute had two expressions that had to be told apart instantly, without either one looking like the lesser version of the other. The answer was proportion rather than decoration: RS24 gets a taller frame and a gold podium, RS21 stays in blue. Vị Dân, a red-ginseng liquor sold mostly as a gift, had the opposite risk — four element variants splintering into four products. One shield, one seal, one vertical column of type, and only the colour changes, so the set is obviously a set.

Light it the way the shop does

A pack is judged in the shop’s light, not the studio’s. Cantina had to be told apart in a second, in low light, on a crowded gifting shelf — so each variant name is set in a script that glows off a black label. The same rule decides how we shoot the pack afterwards: the label is the light source.

Three questions before the file opens

  • What will sit next to this pack, that week?
  • What must still be readable at three metres, and what can wait until it is in the hand?
  • What does a row of facings look like — not a single box?

A luxury gift box has one more reader than a bottle: the person who is given it. It is judged on the shelf first and in the hand second, so the same tests hold. Every pack above stood out by being more specific, not louder.

If you are briefing one, the starting point is our packaging design work. For the Tết calendar, tiers and what printers need, read the Tết packaging playbook or start from Tết packaging design. More of the category is on the spirits and wine page.

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